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The team at the History Project are masterful storytellers with a great product - who have now raised $2.1m. http://venturebeat.com/2015/11/04/the-new-york-times-invests-in-the-history-project-a-multimedia-tim...

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Real transparency on The Toast and indie media funding. Can patronage be democratized? https://storify.com/petersterne/nicole-cliffe-on-indie-media

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To create a private space for up to 200 users to publish media in a group, visit https://withknown.com/

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A remarkable, heartbreaking account of a newsroom facing tragedy. http://money.cnn.com/2015/10/26/media/wdbj-shooting-inside-newsroom/

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Generation Z values its privacy, isn't so into social media. And the pendulum swings. http://i-d.vice.com/en_gb/article/why-generation-z-are-deleting-their-social-media-accounts-and-goin...

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@Jermolene Known is the easiest way for groups to publish and share in a private space using a variety of media.

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This is sponsored content, but worth a look: a series on the power of privacy. http://www.theguardian.com/media-network/ng-interactive/2015/sep/29/the-power-of-privacy-video-serie...

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Marco is exactly right about the Facebookization of podcasts. It's coming, and the public media world isn't ready. https://medium.com/@marcoarment/pragmatic-app-pricing-a79fc07218f3

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People seem to think @Twitter will up its char count, but the big opportunity is immediate, non-textual content. Think Snapchat, not Medium.

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The whole Internet: much more than the web, apps, or IoT

This morning, I woke up and checked my notifications on my phone. (I know, I know, it's a terrible habit.) I took a shower while listening to a Spotify playlist, got dressed, and put my Fitbit in my pocket. I made some breakfast and ate it in front of last night's Daily Show on my Apple TV. Then I opened my laptop, logged into Slack, launched my browser and checked my email.

I've spent a lot of time over the last decade advocating for the web as a platform. To be fair to me, as platforms go, it's a good one: an easy-to-use, interconnected mesh of friendly documents and applications that anyone can contribute to. Lately, though, I've realized that many of us have been advocating for the web to the exclusion of other platforms - and this is a huge mistake.

It's not about mobile, either. I love my iPhone 6 Plus, which in some ways is the best computing device I've ever owned (it's certainly the most accessible). Apps are fluid, beautiful, immediate and tactile. Notifications regularly remind me that I'm connected to a vast universe of information and conversations. But, no, mobile apps aren't the natural heir to the web.

Nor is it about the Internet of Things, or the dedicated devices in my home. My Apple TV is the only entertainment device I need. My Fitbit lets me know when I haven't been moving enough. I have an Air Quality Egg that attempts to tell me about air quality. My Emotiv EEG headset can tell me when I'm focused. But none of these things, either, are the future of the Internet.

I think this is obvious, but it's worth saying: no single platform is the future of the Internet. We've evolved from a world where we all sat down at desktop and laptop computers to one where the Internet is all around us. Software really has eaten the world.

What ubiquitous Internet means is that a mobile strategy, or a web strategy, aren't enough. To effectively solve a problem for people, you need to have a strategy that holistically considers the whole Internet, and the entire galaxy of devices at your disposal.

That doesn't mean you need to have a solution that works on every single device. Ubiquity doesn't have to mean saturation. Instead, the Internet has evolved to a point where you can consider the platforms that are most appropriate to the solution you're providing. In the old days, you needed to craft a solution for the web. Now, you can craft a solution for people, and choose what kinds of devices you will use to deliver it. It's even becoming feasible to create your own, completely new connected devices.

The opportunities are almost endless. Data is flowing everywhere. But as with mobile and the web in earlier eras of the Internet, there will be land grabs. When any device can talk to any device and any person, the perception will be that owning the protocols and the pipes is incredibly valuable. Of course, the real value on the Internet is that the pipes are open, and the protocols are open, and anyone can build a solution on the network.

For me, this is a huge mental shift, but one that's incredibly exciting. The web is just one part of a nutritious breakfast. We have to get used to building software that touches every part of our lives - not just the screens on our desks and in our pockets. The implications for media and art are enormous. And more than any other era of the Internet, the way we all live will be profoundly changed.

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@benward But that's not bad in itself. Twitter is a media company. It completely makes sense and I think will be popular.

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Convincing every member of my immediate family to have a phone switched on and with the ringer activated is an uphill battle.

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Do you religiously read a particular tech industry website (rather than following links from social media)? Which one(s), and how?

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Can't stop thinking about writing a book about open source, media and the future of the Internet, because I don't have enough things to do.

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@KartikParija @marcoarment I love @OvercastFM and use it every day. Is there a potential subtext about being on good terms with media?

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Is crowdfunding the answer in a post-ad universe?

Crowdfunding

Albert Wenger of Union Square Ventures asks:

How then is journalism to be financed? As I wrote in 2014, I continue to believe that crowdfunding is the answer. Since then great progress has been made by Beaconreader, Kickstarter’s Journalism category, and also Patreon. Together the amounts are still small but it is early days. Apple’s decision to support these adblockers may well help accelerate the growth of crowdfunding and that would be a good thing – I don’t like slow page loads and distracting ads but I will happily support content creation directly (just highly unlikely to do so through micropayments while reading). All of this provides one more reason to support Universal Basic Income – a floor for every content creator and also more people who can participate in crowdfunding.

I've also heard Universal Basic Income argued for as a solution to funding open source projects. I'm not sure I buy it, so to speak - I think it's not fair to assume that content creators should live on a minimum safety net wage. I do strongly believe in a Universal Basic Income, but as a strong safety net that promotes economic growth rather than something designed to be relied on. For one thing, what happens if everyone falls back to a Universal Basic Income? Could the system withstand that, and would the correct incentives be in place?

I love the idea of crowdfunding content. This does seem to put incentives in the correct place. However, when systems like Patreon work well (and they often do), the line between crowdfunding and a subscription begins to blur. When you're paying me whenever I create content, with a monthly cap, and I create content on a regular basis, it starts to look a lot like it's just a monthly subscription. If you pick up enough monthly subscriptions, it starts to look like real money - a thousand people at $10 a month would lead to a very comfortable wage for a single content creator (even in San Francisco and New York).

So remove the complexity: recurring crowdfunding is just a subscription with a social interface. Which is fine. For recurring content like news sources and shows, I think subscriptions are the future.

For individual content like movies, albums and books, campaigns begin to make a lot of sense. But crowdfunding isn't magic: funders won't necessarily show up. I've been told that I should really have 33% of my campaign contributions pre-confirmed before the campaign begins, and I suspect that's not possible for most unknown artists.

There needs to be a positive signal of quality. In the old days, there were PR campaigns, which were paid for by record labels and publishing companies. Unless we only want rich artists and established brands to make money making content, we need a great, reliable way to discover new, high-quality independent media. And then we need to be able to make an informed decision whether we want tob buy.

As great as Patreon, Kickstarter, Indiegogo and the others are, we're not there yet. Social media won't get us there alone - at least not as is. But there's money to be made, and I'm convinced that whoever unlocks discovery will unlock the future of content on the web.

 

Image: Crowdfunding by Rocío Lara

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Replied to a post on werd.io :

We all accept that Google is awesome for finding decentralized information. Why can't there be a Google for media content? (There will be.)

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"Siri can't tell you a story." Spoken word storytelling is the oldest kind of media. Robots can't replace storytellers.

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The average engagement time for audio content is ~20 minutes on a mobile device, found @SpokenLayer. Astounding in digital media.

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Yay! @SpokenLayer are fellow @mattervc alumni, helping media companies create great audio experiences.

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Interesting hearing iTunes described as a "black box". In social media, people talk about Facebook that way, too. Open is better.

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On public media apps: "One of the things we'd really like is to raise money directly." - @HennsEggs (cc @HuzzaApp)

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"Who listened to the radio on the way in?" Basically nobody raises their hand. Reminder: we are at @KQED with a media audience.

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What if public underwriting was clickable? What if listeners could donate to public media while they streamed? @HennsEggs

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.@HennsEggs: Public media orgs have a byzantine governance model and business model. Podcasts feel like an existential threat.

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