Note: I've been using the term "outsider art" incorrectly, and didn't realize it was problematic. I've lightly edited this piece and will be mindful of this going forward. I apologize to the artists I incorrectly categorized.

I bought a Jean Smith painting the other day.

Jean is the lead singer of Mecca Normal, which was one of the early riot grrrl bands (see also: Bikini Kill). More recently, she’s started to make her paintings available online for a hundred dollars each in support of opening the Free Artist Residency for Progressive Social Change. Daily, she posts a painting, and commenters try and buy one.

She could easily sell them for multiples of the asking price, but this is more interesting: accessible, sold directly, and as indie as it comes.

As the New York Times wrote a few years ago:

For once, social media is helping a creative economy be more equitable. The artist earns what she wishes to earn, with plenty left over to give away. And for less than it would cost to frame a dorm-room poster, you can have a daily encounter with the sublime.

I’d vastly prefer this than some establishment art setup, with all its attendant schmoozing and gatekeeping. It’s one reason why I’m also a big fan of the Creative Growth Art Center. For me, good art changes perspectives and lets you think about the world from a new angle; it’s hard to do that if it comes squarely from the mainstream.

And for me, it has to be physical. Is digital art interesting? Sure. But I’m so embedded in the digital that I’m fascinated with the physicality of physical work. My friend Sadie makes these incredible stained glass pieces, which come straight from the heart, and sometimes literally are hearts. They’re beautiful, and they bend light and cast shadows and take up space.

I’m so wrapped up in virtual space that people who can have this sort of effect on real space are magicians to me. I love it, and I suppose I’m a little bit envious, too. But I’m lucky to be able to collect their work and support what they do, at least in a small way. The openness and bravery it takes to create art is an inspiration to me, and the pieces themselves are often transformative. I’m grateful to have that in my life.

I’m loathe to criticize NFTs in themselves, because people are genuinely creating in that space (and on blockchains that don’t have a negative climate effect). But it’s not really for me. Instead, I’m excited to receive a genuine Jean Smith canvas, or a genuine Sadie Robison sculpture. I’m delighted by the underlying humanity and awed by the skill. And I’m always looking for more.