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This lifelong Whovian is happy right now. Except for the "waiting until 2017" part. http://www.bbc.com/news/entertainment-arts-36111598

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To the owner of the TARDIS in Sebastopol: I appreciate you very much.

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My mother and I just agreed we're pretty much obligated to watch the Christmas special. Haven't seen it yet; not super excited.

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I've been a fan for most of my life, and I genuinely think this week's story may have been the best ever. Superb work, @rtalalay.

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What's your favorite underrated story? Mine's The Happiness Patrol.

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A new spin-off set at the Coal Hill School. Alright then. I hope Totters Lane gets a look-in. http://www.outpostskaro.com/2015/10/01/class-a-new-doctor-who-spin-off-coming-soon-to-bbc3/

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Blown away at the news that Christopher Eccleston quit because they wanted him to drop his accent. Glad Capaldi has kept his.

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After a bunch of very high quality episodes, this weekend's was horribly written and badly made. What happened?

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So wrapped up in UK, preparing @withknown for ..., & @mattervc demo day that I forgot about ! Never happened before.

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At the movies for . People wistfully yelling out "Tennant"! I'm the only one here replying "McCoy!"

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I'm excited by the new trailer. Very still, very dark. My inner eight year old is, once again, appeased.

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I'm just astonished by this: they sent the 50th anniversary episode in flight cases on planes and on boats up the Amazon.

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There ends the session. This particular dork is delighted. Now, on with the day!

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Encrypted DCP masters were physically transported on planes and in one case on boats up the Amazon River!

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Cinemas alone grossed $10.2m in revenue, let alone revenue from the TV distribution from partners & brand awareness.

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Supply chain is all-important. Choose the right partners that can scale for peak demand and adjust to new working practices quickly.

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"Simultaneous multi-platform releases really are possible." But fans were constantly trying to infiltrate & get footage.

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98 countries + Live + WizardCon in Austin + cinemas, all at once at 19:50 GMT on November 23.

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Each partner synchronized their broadcast to a BBC clock on a central server, using local content.

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The theatrical version had a different audio mix to the TV version. Not the same edit.

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All content was fully pre-positioned in 98 territories on 16th November. This was a record; previous was Lost with 10 countries.

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The original master was delivered on November 10th. Channel interstitials were distributed to all broadcast partners.

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The main trailer was released once DCP was rendered and sent for classification, on November 9th.

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