Werd I/O

I tend to get my links from three sources: my feed subscriptions, links I find on social media (particularly using Twitter Blue’s excellent “top articles from people you follow” feature), and stuff that people send me directly.

If I read something and find it particularly interesting, I’ll save it to a Notion database I’ve got set up. Mostly I do this because the Notion web clipper and iOS app makes life really easy for me.

Then the bookmarks get synced in a few different ways:

• To my website using Micropub
• To Buffer for scheduled sending to Twitter

The sync itself is via Zapier right now, but when I get time I’ll replace with my own script.

I used to post directly to Twitter, but I realized that there’s no need to post there at the same time I save to my site. Because I tend to read my feeds in batches, Buffer helps me avoid posting floods of links to my Twitter account at once. It also gives me a little wiggle room if something goes wrong (eg if the sync accidentally triggers when I’m halfway through writing a description).

At the end of the month, I take my links from the Notion database and use a simple script to turn them into a formatted post, which I edit in iA Writer before publishing to my site using its micropub feature.

The end result:

• I have a searchable database of my bookmarks
• I reliably share them to my website
• I get to publish a round-up post at the end of the month, which is one of my favorite things

It sounds like a lot, but I really enjoy the process I’ve set up: it’s easy for me, and does everything I need it to.

At The 19th, we’re running our annual community survey. If you’ve read a story on The 19th, or if you’re a woman or LGBTQ+ person, or are interested in policy and democracy news that affects women and LGBTQ+ people, we’d love to hear from you.

Complete our annual survey and you’ll be entered to win one of four $50 gift cards as a small token of our appreciation for your time.

It’ll take just a few minutes of your time. Get started here.

Last week, I asked you about your fiction-reading habits as part of my research for a personal project I’m working on.

I also ran a separate survey on Google Surveys - getting in just before that service shuts down next month - to get a sense of what the average web visitor reads.

Although I expected this community to diverge from overall web visitors in key ways, I was surprised - but perhaps shouldn’t have been - by where it didn’t.

Here’s the biggest headline: traditional, paper books are still by far the best way for an author to reach even a technical audience. Most people across all audiences discover books via traditional bookstores, word of mouth, and the library - so if you’re limiting yourself to self-published ebooks, you’re missing out in a big way. More on that in a moment.

Blog readers like to read fiction far more than the average person.

First, some overall numbers:

The average American reads twelve books a year: a number that includes non-fiction titles. And only 59% of Americans read fiction books at all.

In contrast, over three quarters of you read more than ten fiction books a year; a sixth of you read more than fifty. This is fiction only: a subset of all the books you read. Although I didn’t connect this to demographic data or questions about what respondents read outside of fiction, I expect these stats hold up for the communities of most similar blogs.

No surprise: tech blog readers like science fiction. The world at large loves mystery and romance.

Everyone loves genre fiction - but which genres are sharply divergent.

This community is far and away most interested in science fiction and speculative fiction (1 in 4), with fantasy coming in at a close second (almost 1 in 5). 10% of folks said they read literary and historical fiction each, followed by mystery (and “cozy mystery”, which is a distinct sub-category). 3% of the community reads romance novels.

On the web as a whole, the numbers are very different. Almost 40% of respondents read mystery novels; 30% read romance; fantasy and horror are read by around a quarter of web visitors who filled in the survey. Only one in five web visitors read science fiction. Literary and historical fiction was in line with respondents from this community at 10% each.

Blog readers find their books offline.

About 20% of respondents from this community get their books through their local library - roughly the same percentage as the number who get them from Amazon. 15% get their books from traditional bookstores, and another 15% get them second hand. Other sources (including other stores, like Apple Books) came in at very small percentages.

A much higher percentage of the wider web gets their books via Amazon - around 40%. Only 10% of them get their books from a bookstore.

These latter statistics are closer to what I expected to see across the board, but blog readers are far more likely to go to independent bookstores, visit their local library, and borrow books from friends and family. So while this community is more technically-inclined, its book consumption is actually more offline than the general public.

We find our books through word of mouth.

Almost 40% of readers in this community preferred to learn about books through friends and family. Booktok doesn’t reach us: only 1% saw recommendations via TikTok. Social media, on the other hand, represented 25% (even if only 5% followed up on recommendations from blogs). 12% of respondents learned about books via Goodreads.

In both sets, around 12% got their recommendations from displays in physical bookstores. But whereas only 4% of this community said they learned through Amazon recommendations, 25% of general website visitors listed it as a main source. Only 6% of general website visitors learned about books from Goodreads.

Paper books still rule.

Finally, across both datasets, paper books rule supreme: 60% for the general public and for blog readers alike.

In both cases, about 20% read their books specifically on Amazon’s Kindle platform. About 10% “read” via an audiobook platform (mostly Audible, which is also owned by Amazon). And even among my open source forward community, only around 1% read using alternative ebook platforms.

I was genuinely surprised by this: I thought I’d see much higher ebook usage in my blog community. But it turns out that we all love the tangible look and feel of a book, and I strongly suspect that those of us who stare at a screen all day are more than happy to read on something else.

Reading between the lines:

This audience values books and the traditional book ecosystem. We like libraries and independent bookstores; we like the smell of a book. Anecdotally, I suspect we’re also suspicious of Amazon and of books that haven’t gone through a publisher’s vetting process. That also means it’s harder to get an independently-published book into our hands.

But libraries and independent bookstores are also more likely to carry and highlight books from small presses. These startup and independent publishers could be a really great way to reach readers with similar reading habits to those in this community. Of course, the big presses could be great too - but are potentially harder to get published by.

Based on this first set of quantitative results, my hypothesis is that it’s better to publish your book with a traditional press and then double down on both social media and independent bookstore promotion. That’s the marketing: I also believe that literary science fiction with a strong mystery component is the kind of fiction that would speak to this audience.

My next step is to double down on this hypothesis, identify my key assumptions, and go out and test them with some qualitative interviews.

More on that soon.

Photo by Seven Shooter on Unsplash

JP Morgan cancelled Kanye West’s bank accounts following his anti-semitic remarks today.

Over the last few years, a raft of “free speech” social networks have emerged as an alternative to the content policies enacted by companies like Twitter. They take very public anti “cancel culture” stances. But what does that really mean?

Using observer accounts, I took a peek at each of the main ones to see how this particular piece of news went down. Here I will issue a content warning: posts on these sites, including those run by mainstream political operators, are extremely disturbing.

Truth Social is owned by the Trump Media and Technology Group, which in turn is chaired by former President Donald Trump. There, an account with over 50,000 followers (10% of its Daily Active Users) states:

Truth Social has around 2 million users.

Gab was founded in 2016 as the first right-wing alternative social network. The founder (who has 3.7 million followers) writes:

In response to a post that asks "who runs JP Morgan Chase?" hundreds of users respond with some variation of "the Jews".

Gab has around 4 million users.

Minds was founded in 2011 and originally built on top of Elgg, the open source social networking framework I co-founded. While it was originally created as an alternative to surveillance capitalism, its anti-banning stance caused it to provide a home to white supremacists banned from mainstream networks in the wake of the January 6 insurrection. (Indeed, Trump had invited its founders to the White House alongside the founders of the networks listed above in 2019.)

Over there, a popular post states:

Minds has over two million users.

GETTR is another conservative Twitter clone, this time founded by a former Trump aide. Here the anti-semitism is less overt, although a few comments from fringe accounts did talk about “the satanic Jews”, which was a trope on the other networks.

GETTR also has around 4 million users.

Parler, which also emerged during the Trump era, is hopelessly unusable. I couldn’t figure out how to search for content on it, when it even managed to log me in.

Parler claims to have a million users, but I don't know how.

It’s not a partisan statement to say that I find these comments to be utterly chilling both in terms of their content and their effective endorsement by large-scale backers that include the former President of the United States.

I’m also deeply unhappy with how my open source code was used to build Minds. I don’t believe its founders to be anti-semites, but I do think that tolerance of this kind of hatred is not anything approaching the virtue that they think it is. While these sorts of hateful ideas can certainly be countered by better ones, it’s also certainly true that alternative social networking sites have been used to plan undemocratic insurrections and hate crimes that led to real harm.

Mainstream social networks, particularly Facebook, are not off the hook here: banning anti-semitism does not absolve you of complicity in genocide elsewhere. Twitter also has its fair share of discoverable posts that espouse anti-semitic tropes. But these other networks are remarkable for their concentration: whereas these ideas are a tiny fringe on Facebook and Twitter, they’re how these other networks support themselves. You go to an alt network because you’ve been banned - or you’re worried you will be banned - from a traditional one. This concentration of extremists is why much of the insurrection was able to be openly organized on networks like Gab.

The Southern Poverty Law Center noted as such in its The Year in Hate & Extremism Report 2021:

Hate groups and other extremists do not solely rely on mainstream social media platforms to spread their message — they are increasingly using “alt-tech” platforms that are often advertised as “free speech” alternatives to places like Twitter and Facebook. On these platforms, users don’t have to worry about content moderation. These include video platforms like Bitchute and Odysee and social media sites like Gab.

And there does seem to be a growing, violent movement lurking here. Incidents of antisemitism in America hit an all-time high in 2021. I’m certain that this is in no small part because overtly racist town squares have become easier than ever to be a part of. These networks have millions of users, are growing, encourage real hate crime, and have ringing endorsements from people who have held the highest office in the land. We overlook them as sideshows at our peril.

For a new project, I’d love to understand how you read fiction. In particular, I’d love to know what your favorite topics are, which books you particularly love, and how you discover new books to read.

So I put together a short, anonymous survey. It shouldn’t take more than a few minutes to fill out, and it would really help me. All questions are completely optional, and it would be useful to me even if you just filled out one.

I’ll follow up with results in a future post. Thank you!

I’ll follow Doctor Who anywhere - I’ve been a fan since I was five years old - but the trailer for the BBC Centennial episode left me cold, even despite the welcomed presence of Ace and Tegan.

It’s had some criticism, and there were some clunkers (hello, Kerblam), but I’ve broadly enjoyed this era: an optimistic Doctor, a renewed focus on inclusion and kindness, a family-friendliness that doubtless brought in new kids. Season twelve in particular was a lot of fun, and I enjoyed the mystery that The Timeless Children brought back to the character’s origins. The execution could sometimes have been tighter, but it was all good. I’ll follow this show anywhere.

What I wish, though, is that they’d embrace some smaller stories. Classic Who was often structured like a mystery novel: something weird was happening, and the Doctor would have to get to the bottom of what was causing it. Often there were multiple contenders, like potential murderers in an Agatha Christie or Sherlock Holmes story. The survival of the world didn’t need to be at stake; it could be creepy and self-contained in its own right. The stories could still talk about big topics, but they didn’t need to be bombastic to be effective.

That’s true across a lot of modern reboots. The myriad Star Treks, for example, seem to feel the need to be action-packed movies instead of the idea-led potboilers of the past. I think producers think they need to do this to get past our shorter attention spans, but they’re missing the point: our quality filters are higher than they ever were, and the way to keep our attention is to give us tightly-written, compellingly-acted, humanistically-directed drama. Some of the best modern television - Succession, Severance, Slow Horses - do understand this, but clearly not everyone got the memo.

I’ll absolutely watch, probably multiple times, and I’ll probably love it. But I do wish we’d swap flash back for substance. Maybe I’m just getting old.